Paul and Heather escape the tedium of their humdrum lives by reviewing two films about daydreaming office drones. First: THE SECRET LIFE OF WALTER MITTY, Ben Stiller's 2013 megabudgeted expansion of James Thurber's classic story, in which a meek LIFE magazine employee seizes what may be his last, best opportunity for real-life adventure; then, BRAZIL, Terry Gilliam's bleak 1985 science fiction comedy starring Jonathan Pryce as a bureaucrat in a dystopian future Britain whose pursuit of his dream girl makes him an enemy of the state. Sean Penn as a rebellious photojournalist, or Robert De Niro as a rebellious home repairman: which will prevail?

Plus: our quick takes on the web series HIGH MAINTENANCE, PROXY, IN YOUR EYES, and the TV series FARGO.

Erin and Paul review two movies about humanity's struggle for survival after the entire planet is flooded. First: NOAH, Darren Aronofsky's revisionist Biblical epic starring Russell Crowe as the ark-building Old Testament prophet; then, WATERWORLD, Kevin Reynolds' 1995 post-apocalyptic adventure starring Kevin Costner as a gill-breathing mutant who reluctantly assists a woman and a small child in their quest for the planet's last piece of dry land. Gigantic rock monsters, or waterskiing pirates: which will prevail?

Plus: our quick takes on THE LOOK OF LOVE, THE SINGING DETECTIVE, and SNOWPIERCER.

Heather and Paul discuss two old films about the world's oldest profession. First: VIVRE SA VIE, Jean-Luc Godard's 1962 film starring Anna Karina as a beautiful young Parisian woman who dreams of becoming an actress but slides into prostitution instead; then, PRETTY WOMAN, Garry Marshall's 1990 Cinderella fantasy, the highest-grossing romantic comedy of all time (!), starring Julia Roberts as a Hollywood Boulevard hooker and Richard Gere as the wealthy client who falls in love with her. A trip to see THE PASSION OF JOAN OF ARC, or a trip to see LA TRAVIATA: which will prevail?

Plus: our quick takes on FIVE CORNERS, NYMPHOMANIAC: VOLUME II, and ONLY LOVERS LEFT ALIVE.